Meg has a sophisticated RP voice ideally suited to all forms of narration, such as e-learning, explainer videos, and corporate information. Her clear diction and neutral accent give a professional quality to IVRS and telephony projects, whilst a theatrical background lends itself to radio plays and drama.
I cannot recommend Meg highly enough. She is a real professional with a great voice, which is very adaptable and directable. Meg has been a real asset to my new TV Series. I look forward to working with Meg more in the future.
Christopher Collins, Flickapolitan
You've been amazingly professional and one of my favorite voices all around - not to mention an absolute pleasure to work with!
Rivka Lichtner, A.E.L. Publications
Meg understood the brief and delivered her voice-over perfectly,
first time and on time!
I would have no hesitation working with her again.
Creative Director, Video Production Company
Following training at Guildford School of Acting Meg worked in London’s West End (‘The Mousetrap’) and also in many of the regional theatres in the UK, touring with ‘The Magic Roundabout’. Her roles include Amanda in ‘Private Lives’ by Noël Coward, Lady Macbeth in Shakespeare’s ‘Macbeth’, Unity Mitford in ‘Unity’ and Hilary in ‘The Woman Who Cooked Her Husband’.
Meg has a rich and resonant voice, that has been honed in the theatres of the UK. She is currently working on the narration for a 6 part ‘Space’ tv programme for an Australian client. Her other voice work includes E-learning, IVR, training videos, and narrating online advertisements.
Meg has the perfect voice for corporate work and recently completed a set of explainer videos for a financial company. As a seasoned actress she was asked to perform the character of ‘Aurora Silver’ in two episodes of the very popular ‘Mabel’ podcast. She has also recorded many articles, poetry and news items for visually-impaired people in Cambridge, UK.
Meg has a purpose-built studio, soundproofed and acoustically treated (using absorption panels from GIK Acoustics), ensuring a clear, neutral sound that is perfect for onward production.
She records into a Rode NT1 large-condenser microphone, feeding a MOTU audio interface. The final audio file may be delivered in any format you require, and delivered via FTP, Dropbox etc.
The studio has the ability to connect via ISDN or ipDTL, allowing remote collaboration.
